Stage and Screen: Performance and Film Interrelated 03-AP-SST
WORK PLAN
Classes # 1 & 2: Introduction
Presentation of the course programme, its aims, methodology, outcomes, and assessment criteria.
Classes # 3 & 4: Intersections of contemporary stage and screen
The problematics’ overview with audiovisual examples.
Lecture and discussion
Classes # 5 & 6: Acting work session
Practical acting work session focused on awareness, body expressiveness and group collaboration.
Workshop
Classes # 7 & 8, 9 & 10, 11 & 12, 13 & 14, 15 & 16: From page to stage and screen (1)
Fictional films based on theatre plays as exemplified by Mike Nichols’ television movie Wit (2001), based on Margaret Edson’s drama W;t (1993) about the process of dying from cancer.
1) The drama analysis
2) Acting out selected scenes from the play
3) The film comparative analysis with the play
4) The drama and the film interpretation focused on contemporary medicalization of life and the art of dying.
Work sessions and seminars: practice-as-research approach
Classes # 17 & 18, 19 & 20, 21 & 22, 23 & 24, 25 & 26: From page to stage and screen (2)
Fictional films based on theatre plays as exemplified by Wajdi Mouawad’s play Scorched (2003, trans. Linda Gaboriau 2009) and Denis Villeneuve’s film Incendies (2010).
1) The drama analysis
2) Acting out selected scenes from the play
3) The film comparative analysis with the play
4) The drama and the film interpretation focused on the destructive impact of war on individual human lives.
Work sessions and seminars: practice-as-research approach
Classes # 27 & 28, 29 & 30: Students’ presentations & Conclusion
Presentation of student’s scenes and their filmed versions. Discussion on the students’ essays. Final discussion. Summary and feedback.
Module learning aims
Information on where to find course materials
Methods of teaching for learning outcomes achievement
Student workload (ECTS credits)
Module type
(in Polish) Sylabus zajęć
Pre-requisites in terms of knowledge, skills and social competences
Course coordinators
Assessment criteria
Assessment
Students are assessed on the base of their:
a. attendance (30% of the grade)
b. active participation in discussions and work sessions (15% of the grade)
c. group performative works and/or their film versions (40% of the grade)
d. 1,000-2,000-word group or pair essays (15% of the grade).
Grades
a. 90–100% = 5 / A
b. 85–89% = 4,5 / B
c. 75–84% = 4 / C
d. 70–74% = 3,5 / D
e. 60–69% = 3 / E
f. 0–59% = 2 / F
Assessment criteria
a. meeting deadlines
b. level of preparation for work sessions and discussions
c. quality of performative work and its filmed version, including distribution of workload within the group and collaboration with others
d. quality of group or pair essays (approach to the subject, language precision, editorial high-standard).
Additional information
Additional information (registration calendar, class conductors, localization and schedules of classes), might be available in the USOSweb system: